Do you tell your friends and family you want to be an actor more than anything? More importantly do you tell yourself that? It is great to make these declarative statements but less than great to find yourself watching TV or surfing Facebook when you could be working to making these statements true. It takes hard work and dedication to gain success in any career and acting is no exception. After a long day of working a day job or going to school the last thing one wants to do is sit down in front of a computer and create an acting website but that is exactly what successful actors do, they take the time to work on what needs to be done, whatever and whenever that may be. Don't forget to take time for yourself, prioritize and set goals. Be a smart Actor!
all content copyright 2012 aecstudios, l.l.c.
Tuesday, June 12, 2012
Monday, May 21, 2012
After many tries Colorado gets a boost in film incentives
Action! New film incentives in Colorado become law
By IVAN MORENO Associated Press
AURORA, Colo.—It took many flops, but the eighth installment of a proposal from Colorado lawmakers to boost film incentives finally became a blockbuster.
Read more: Action! New film incentives in Colorado become law - The Denver Post http://www.denverpost.com/ci_20652919/new-film-incentives-colo-become-law?IADID=Search-www.denverpost.com-www.denverpost.com#ixzz1vWY7L1Ks
Monday, May 14, 2012
When auditioniong always remember...
Audition Tips
1. Listen
-get out of your head and pay attention!
2. Listen
-don't just nod your head and say 'yes' as though you are listening. Be present and acknowledge.
3. Take direction literally
-do what you are told no more, no less. The director has a vision and is trying his best to get you there.
1. Listen
-get out of your head and pay attention!
2. Listen
-don't just nod your head and say 'yes' as though you are listening. Be present and acknowledge.
3. Take direction literally
-do what you are told no more, no less. The director has a vision and is trying his best to get you there.
Monday, May 7, 2012
This article first appeared on The Denver Post's website (link at the end of this page).
Some great comparisons of business and our industry as well as some great reminders that one can never stop working for oneself!
Business
Movie business the prototype of new economy
Posted:
05/06/2012 01:00:00 AM MDT
Updated: 05/06/2012 01:29:53 AM MDT
By Dave ManeyUpdated: 05/06/2012 01:29:53 AM MDT
an entrepreneur and former journalist, runs Economaney.com
Last
week, I laid out my best guess about America's future economic
structure: That it would start to look more and more like Hollywood and
the film industry and less like what we've all thought of as the
traditional American economic system.
We're leaving the idea of big-company jobs with a weekly paycheck behind as the core building block of our way of life. We're headed toward a reality that is more project-, network- and track-record driven. Just like Hollywood.
The movie business has transformed from an everyone's-an-employee-at-our-vertically-integrated-studio structure 50 years ago into a dazzlingly capable web of very small, very focused, and very creative companies and individuals today. Those focused companies and those talented individuals then come together under the umbrella of the movie project to make their magic happen.
That's a radically different organizational idea — each project a separate company. In the economic structure we've all grown used to, companies have products. But in Hollywood, the product has a company! For a short time, that is. Once the project's done and the movie's had its run, the company goes into suspended animation and the workers disappear into the ether, only to re-form in a different configuration for their next project.
Wave of future: small
Think it sounds unappealing? Maybe. But it's a thriving system — one of the few American industries where we are unquestionably the dominant global player without a single real challenger on the horizon.
That big, vertically integrated studio system ultimately disintegrated because it was too expensive and unwieldy for a business as dynamic and uncertain as the movie industry. There was no way a studio could reliably predict what would sell next, so a huge, high fixed-cost structure was out of whack with the business reality.
In the non-Hollywood world, the flood of information from the Internet and related technologies has changed how we do business forever. The idea of corporate and job stability is desirable but less and less attainable. The fact that it takes surprisingly little financial capital today to start Web-enabled businesses means that incumbents are at a disadvantage and new entrants can be surprising giant-killers. Old-line companies can't maintain a massive cost structure while being taken out at the ankles by leaner, meaner Web competitors — as Best Buy and other retailers have recently discovered.
So it's likely that we're all facing a world with more individual economic agents and fewer employees. More small, very-focused companies and fewer big vertically integrated ones. Intense specialization and role playing in the workforce rather than jacks-of-all-trades. Risk shifted from employers to individuals — but rewards shifted in that direction too.
How do we prepare ourselves to prosper in a future economy that looks like that? Here's a few suggestions:
• What have you done for me lately? Just like in Hollywood, your value is increasingly determined by your track record, your performance, and your ability to deliver in your latest project. The Web brings information, and information brings transparency. You can't hide a lack of talent or performance.
• Network, network, network. Your friends and colleagues are the best source of your next gig and the gig after that. Be the person everyone loves working with, and stay networked to stay busy.
• Don't hide your light under a bushel basket. You're going to have to learn to market what you know and can do. Only Julia Roberts, Brad Pitt and a few others get agents; everyone else has to promote and sell themselves.
• All significant returns flow to creativity. You can know a lot of stuff, but the Internet is always going to know more. Technicians don't make the big dollars in Hollywood; the creative talent does. Creativity might be the single most-important skill set in the Economic Revolution.
• Master technology and keep your skills current. They don't use hand-cranked cameras anymore, so wearing your technological illiteracy as a badge won't get you dinner. The steeper the innovation curve gets, the more critical it is that you're on the front edge of it.
• Focus, focus, focus. It's a search-driven world. If I want a red-headed actor who sings opera, I can find the world's best one via the Web. Figure out what you want to be known for and keep sharpening your point so people can find you. Be the answer to someone's search query.
• Live frugally. Hollywood's workforce doesn't have the luxury of living paycheck-to-paycheck. Unpredictable cash flows, even when the cash flows are large, require planning and frugality. Living below your means becomes a valuable skill set in the Hollywood — and our future — economy.
No one said going Hollywood would be easy.
Dave Maney, an entrepreneur and former journalist, runs Economaney.com. Reach him at davemaney@ economaney.com
Economic Revolution Dave Maney
We're leaving the idea of big-company jobs with a weekly paycheck behind as the core building block of our way of life. We're headed toward a reality that is more project-, network- and track-record driven. Just like Hollywood.
The movie business has transformed from an everyone's-an-employee-at-our-vertically-integrated-studio structure 50 years ago into a dazzlingly capable web of very small, very focused, and very creative companies and individuals today. Those focused companies and those talented individuals then come together under the umbrella of the movie project to make their magic happen.
That's a radically different organizational idea — each project a separate company. In the economic structure we've all grown used to, companies have products. But in Hollywood, the product has a company! For a short time, that is. Once the project's done and the movie's had its run, the company goes into suspended animation and the workers disappear into the ether, only to re-form in a different configuration for their next project.
Wave of future: small
Think it sounds unappealing? Maybe. But it's a thriving system — one of the few American industries where we are unquestionably the dominant global player without a single real challenger on the horizon.
That big, vertically integrated studio system ultimately disintegrated because it was too expensive and unwieldy for a business as dynamic and uncertain as the movie industry. There was no way a studio could reliably predict what would sell next, so a huge, high fixed-cost structure was out of whack with the business reality.
In the non-Hollywood world, the flood of information from the Internet and related technologies has changed how we do business forever. The idea of corporate and job stability is desirable but less and less attainable. The fact that it takes surprisingly little financial capital today to start Web-enabled businesses means that incumbents are at a disadvantage and new entrants can be surprising giant-killers. Old-line companies can't maintain a massive cost structure while being taken out at the ankles by leaner, meaner Web competitors — as Best Buy and other retailers have recently discovered.
So it's likely that we're all facing a world with more individual economic agents and fewer employees. More small, very-focused companies and fewer big vertically integrated ones. Intense specialization and role playing in the workforce rather than jacks-of-all-trades. Risk shifted from employers to individuals — but rewards shifted in that direction too.
How do we prepare ourselves to prosper in a future economy that looks like that? Here's a few suggestions:
• What have you done for me lately? Just like in Hollywood, your value is increasingly determined by your track record, your performance, and your ability to deliver in your latest project. The Web brings information, and information brings transparency. You can't hide a lack of talent or performance.
• Network, network, network. Your friends and colleagues are the best source of your next gig and the gig after that. Be the person everyone loves working with, and stay networked to stay busy.
• Don't hide your light under a bushel basket. You're going to have to learn to market what you know and can do. Only Julia Roberts, Brad Pitt and a few others get agents; everyone else has to promote and sell themselves.
• All significant returns flow to creativity. You can know a lot of stuff, but the Internet is always going to know more. Technicians don't make the big dollars in Hollywood; the creative talent does. Creativity might be the single most-important skill set in the Economic Revolution.
• Master technology and keep your skills current. They don't use hand-cranked cameras anymore, so wearing your technological illiteracy as a badge won't get you dinner. The steeper the innovation curve gets, the more critical it is that you're on the front edge of it.
• Focus, focus, focus. It's a search-driven world. If I want a red-headed actor who sings opera, I can find the world's best one via the Web. Figure out what you want to be known for and keep sharpening your point so people can find you. Be the answer to someone's search query.
• Live frugally. Hollywood's workforce doesn't have the luxury of living paycheck-to-paycheck. Unpredictable cash flows, even when the cash flows are large, require planning and frugality. Living below your means becomes a valuable skill set in the Hollywood — and our future — economy.
No one said going Hollywood would be easy.
Dave Maney, an entrepreneur and former journalist, runs Economaney.com. Reach him at davemaney@ economaney.com
Economic Revolution Dave Maney
Read more: Movie business the prototype of new economy - The Denver Post http://www.denverpost.com/business/ci_20553730/movie-business-prototype-new-economy#ixzz1uDfoaapr
Saturday, August 13, 2011
What are you in control of?
There are so few things in life that one has complete control over and when considering acting there are even fewer! You are NOT in control of; your time slot for an audition, the mood of the director or casting director, script changes, blocking directions etc... So what should you do? Be in control of that which you can be! Like; being prepared with the script, being well practiced for a cold read, wearing appropriate clothing, hair and makeup. You may be at the mercy of unforeseen circumstances like a bad traffic accident or a power outage BUT the thing to always remember is that you are 100% in control of how you deal with what is thrown at you. You always have a choice to react negatively to your situation, start blaming and excusing OR accept what comes your way and ask yourself how can you best deal with it while still accomplishing your goals.
Be a smart actor!
Labels:
acting,
aec studios,
audition act. actor,
auditioning
Tuesday, December 21, 2010
A Great Primer on Where Movie Money Goes - By Dorothy Pomerantz

I have no idea how this infographic ended up on MySpace but hat tip to Katey Rich at Cinema Blend for pointing it out.
If you’ve ever wondered how your movie dollars get divided up — this is a great primer. It shows how ticket sales flow from the theaters to the studios and eventually to the actors. The one thing missing is how actors end up getting paid.
The top actors (like Angelina Jolie and Johnny Depp) get a hefty advance fee up front. Then they get a percentage of the gross depending on how well the film performs. If an actor gets first dollar gross (which is increasingly rare) he earns a percentage of the money flowing into the studio. If an actor earns gross at “cash break zero,” he gets paid after the studio has earned back its marketing and production costs.
Thursday, August 26, 2010
Why did Youtube take down my acting demo?
Originally Posted by David H. Lawrence XVII on ActingAnswers.com
Since Napster gave the world a taste of easy and media hyped piracy, a generation of users has felt no need to respect intellectual property rights. Google’s video site, YouTube, has gone to great lengths to make sure its producer partners are protected from unauthorized performance of their works. Sometimes, though, your acting reels will get caught in the middle, even though you’re perfectly allowed to use your scenes from copyrighted works in your acting reels. Here’s why, and here’s how to get them back up on YouTube if they get taken down.
You’ve worked hard on your demo reel, everything’s set – you’re about to let the world know about it, and you open your email inbox to find a takedown notice from YouTube.
What?
The notice I got when I put my demo reel up on YouTube read:
Your video has been identified and removed from public display on YouTube because you may not have the necessary permission to make it available on YouTube. The material identified in your video, the person claiming ownership of the material, and the policy they have designated for its use on YouTube are detailed below.
Material Copyright Holder Policy Countries
Video from CBS Internet Rights Reserved
You have the following options:
Do Nothing
Your video will continue to be hidden from YouTube viewers.
Dispute Claim
If you believe that the video at issue is your original content, has been misidentified by our systems, or that you are otherwise authorized to use it without consent, you can file a dispute claim.
Pretty ominous, and enough to scare an actor into leaving well enough alone and just using the video on their own website, hoping the powers that be at CBS don’t find them.
You should know your rights, and act accordingly: you have the right, under the Fair Use tests in the US Copyright Code, to use clips from your work in your reel, without having to secure any permission from the networks or studios you do your work for.
So how does YouTube even know I did The Unit (it’s one of the scenes in my reel)? Because YouTube has had so many problems with people knowingly and unknowingly posting videos that contain copyrighted works, they’ve worked with producers like the networks and studios that release films theatrically (your customers) to develop software that looks for signatures in works registered with YouTUbe.
In a nutshell, the producer sends over episodes of television and copies of films, and the works get stored in a database at YouTube. Then, when videos get posted by YouTube users, the video and audio are both scanned for the same content in the works in their database. When they find a match, the authorities are alerted and the notices get sent out.
YouTube shoots first and asks questions later, removing the potentially offending videos from public view. Most of the time, if someone is putting up copy of copyrighted works, this is perfectly normal and we should all be glad that YouTube is helping to defend the rights of the owners of copyrighted works. But your use of a scene or two from your episode of a television show or a movie can be a temporary casualty of this war against piracy.
You aren’t the bad guy here. You’re a party to the production of the piece, and your use of the scenes you are in pass all four of the Copyright Act’s fair use tests (Section 119 of Title 17 of the US Code):
The purpose and character of your use of the copyrighted work must advance knowledge or the progress of arts, or be for non-profit or educational use. You are demonstrating your participation in the work, so this is covered.
The nature of the copied work must have certain values which are judged on a case by case basis, none of which you are even close to when using it in your performance demo.
The “amount and substantiality” of the work is clear – you’re only using a small amount of the work (since your demo should only be a minute or two long, you’ll need to use just seconds of the scene you’re in), and that passes the test that you’re not simply re-publishing the entire episode or film.
The final test is whether or not your use of a piece of the copyrighted content could negatively affect the work’s value in the marketplace. You pass this as you’re not selling or offering your demo as a replacement for any of the shows you use in it.
Thankfully, YouTube is also on your side in this case, and you can easily remedy the situation. remember the option above in the ominous letter that offers you the opportunity to “Dispute Claim”? That’s exactly what you do, dispute the claim. YouTube even offers you a simple like to click on to take you the “Dispute Claim” form on their website.
All you have to do when you get to that page is to fill out the form, and tell YouTube why you shouldn’t be subject to their takedown decision. Here’s some language you can copy and paste from this page right into the “Reason for Dispute” or “Dispute Explanation” text box on YouTube:
I am an actor. The video in question is a compilation of different scenes in which I am featured. This video does not violate US Copyright code, as it passes all four tests for fair use under Section 119 of Title 17 of the US Code. Please restore the video to public view. Thank you
You may never hear from YouTube on issues like this, especially if a human being intercepts the takedown notice to you and looks at your video. But now you know what to do should you be tapped for copyright infringement.
Since Napster gave the world a taste of easy and media hyped piracy, a generation of users has felt no need to respect intellectual property rights. Google’s video site, YouTube, has gone to great lengths to make sure its producer partners are protected from unauthorized performance of their works. Sometimes, though, your acting reels will get caught in the middle, even though you’re perfectly allowed to use your scenes from copyrighted works in your acting reels. Here’s why, and here’s how to get them back up on YouTube if they get taken down.
You’ve worked hard on your demo reel, everything’s set – you’re about to let the world know about it, and you open your email inbox to find a takedown notice from YouTube.
What?
The notice I got when I put my demo reel up on YouTube read:
Your video has been identified and removed from public display on YouTube because you may not have the necessary permission to make it available on YouTube. The material identified in your video, the person claiming ownership of the material, and the policy they have designated for its use on YouTube are detailed below.
Material Copyright Holder Policy Countries
Video from CBS Internet Rights Reserved
You have the following options:
Do Nothing
Your video will continue to be hidden from YouTube viewers.
Dispute Claim
If you believe that the video at issue is your original content, has been misidentified by our systems, or that you are otherwise authorized to use it without consent, you can file a dispute claim.
Pretty ominous, and enough to scare an actor into leaving well enough alone and just using the video on their own website, hoping the powers that be at CBS don’t find them.
You should know your rights, and act accordingly: you have the right, under the Fair Use tests in the US Copyright Code, to use clips from your work in your reel, without having to secure any permission from the networks or studios you do your work for.
So how does YouTube even know I did The Unit (it’s one of the scenes in my reel)? Because YouTube has had so many problems with people knowingly and unknowingly posting videos that contain copyrighted works, they’ve worked with producers like the networks and studios that release films theatrically (your customers) to develop software that looks for signatures in works registered with YouTUbe.
In a nutshell, the producer sends over episodes of television and copies of films, and the works get stored in a database at YouTube. Then, when videos get posted by YouTube users, the video and audio are both scanned for the same content in the works in their database. When they find a match, the authorities are alerted and the notices get sent out.
YouTube shoots first and asks questions later, removing the potentially offending videos from public view. Most of the time, if someone is putting up copy of copyrighted works, this is perfectly normal and we should all be glad that YouTube is helping to defend the rights of the owners of copyrighted works. But your use of a scene or two from your episode of a television show or a movie can be a temporary casualty of this war against piracy.
You aren’t the bad guy here. You’re a party to the production of the piece, and your use of the scenes you are in pass all four of the Copyright Act’s fair use tests (Section 119 of Title 17 of the US Code):
The purpose and character of your use of the copyrighted work must advance knowledge or the progress of arts, or be for non-profit or educational use. You are demonstrating your participation in the work, so this is covered.
The nature of the copied work must have certain values which are judged on a case by case basis, none of which you are even close to when using it in your performance demo.
The “amount and substantiality” of the work is clear – you’re only using a small amount of the work (since your demo should only be a minute or two long, you’ll need to use just seconds of the scene you’re in), and that passes the test that you’re not simply re-publishing the entire episode or film.
The final test is whether or not your use of a piece of the copyrighted content could negatively affect the work’s value in the marketplace. You pass this as you’re not selling or offering your demo as a replacement for any of the shows you use in it.
Thankfully, YouTube is also on your side in this case, and you can easily remedy the situation. remember the option above in the ominous letter that offers you the opportunity to “Dispute Claim”? That’s exactly what you do, dispute the claim. YouTube even offers you a simple like to click on to take you the “Dispute Claim” form on their website.
All you have to do when you get to that page is to fill out the form, and tell YouTube why you shouldn’t be subject to their takedown decision. Here’s some language you can copy and paste from this page right into the “Reason for Dispute” or “Dispute Explanation” text box on YouTube:
I am an actor. The video in question is a compilation of different scenes in which I am featured. This video does not violate US Copyright code, as it passes all four tests for fair use under Section 119 of Title 17 of the US Code. Please restore the video to public view. Thank you
You may never hear from YouTube on issues like this, especially if a human being intercepts the takedown notice to you and looks at your video. But now you know what to do should you be tapped for copyright infringement.
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